Of course point of view matters. I think in many cases it is the most important tool a writer has because it has the potential to completely change a story. Consider a book like The Great Gatsby. Not only is it told in first person (limited, as the English majors say), but from Nick Carraway’s point of view. He is a relatively neutral character and crosses both social circles – Gatsby’s and Daisy’s – so you get to see everything and everyone, but you also have to infer a lot about what happens behind closed doors. Imagine the same story told from either Gatsby or Daisy. It would be completely different and you would miss a lot of the nuance.
Maybe because I put so much weight on point of view as a technique, it scares me as a writer. First person narratives, especially, are scary to me. The whole story needs to be in the voice of that character!
At present I’m working on a young adult story, and some conventional wisdom for that genre is to use first person limited because it helps younger readers relate to the character and be drawn more quickly into the story. There are exceptions to every rule, of course. As a reader, first person stories feel more intimate to me, maybe because it’s like you’re reading a letter or invading someone’s private thoughts. In some of the young adult books I’ve read I think it is too intimate and you know way too much about that person. I don’t know about you, but there’s a lot of things I don’t know about myself and I would not be the most reliable source in a story of my life. Read Presumed Innocent (I said read it, not watch the movie) for a fantastic example of an unreliable narrator.
The story I abandoned was also told from the first person perspective of a major character and I had a very hard time with it. I’m now thinking that was because I did not have a clear enough understanding of that character’s “voice” and individual personality. I base that on how fast and clearly the current story is progressing. It is the first thing I’ve written where I feel there is a definitive “voice” that I can identify. Yet some part of my brian is apparently still working on the abandoned story because it keeps returning in my thoughts. Maybe it is the restless part of me that always wants to be doing something else, moving onward and upward when the work gets tough. Or maybe that’s how our brains (or at least mine) work and I need to allow my subconscious to do some heavy lifting.
Image: Escaping Criticism, 1874, by Pere Borrell del Caso (public domain)